Archive
The Making of “We Are the World”
I was browsing through Netflix to check what film to see as I savor a relaxing weekend and the title “The Greatest Night in Pop” caught my interest. It was then I realized the film was about that one historic night in January of 1985 in Los Angeles, California when legendary singers came together to record the timeless hit that had since inspired everyone across the globe to unite and fight against hunger– “We Are The World.”
It dawned on me after watching the film that the creation of that song, which later won four Grammy awards, stands as a profound testament to the power of music as a unifying force. The song, crafted for humanitarian aid, particularly for the African famine crisis in the 80’s decade, was a remarkable instance where some of the world’s most renowned artists set aside their egos and competitive spirits to collaborate for a cause much greater than themselves.
Imagine the scene: a recording studio filled with the likes of Michael Jackson, Lionel Richie, Stevie Wonder, Bob Dylan, Tina Turner, Bruce Springsteen and about 40 others. These artists, each a legend in their own right, came together, not for commercial success or personal glory, but to make a difference in the world. The song’s lyrics, co-written by Michael Jackson and Lionel Richie, and its production, led by Quincy Jones, encapsulate a message of hope, unity, and compassion.
What’s particularly touching about “We Are the World” is the spirit of collaboration and unity it fostered. Music, often seen as a domain of fierce competition, became a medium for altruism and collective action. The recording session was marked by a sense of camaraderie and shared purpose. Quincy Jones famously posted a sign at the door saying, “Check your egos at the door,” emphasizing the need for unity and cooperation.
The impact of the song went far beyond the recording studio. It raised over $63 million for famine relief, a staggering amount at the time, and its message resonated globally, inspiring people to look beyond borders and see the common humanity that binds us all. The song’s success demonstrated the immense power of artists when they come together for a common cause, setting a precedent for future collaborations in music for humanitarian efforts.
The legacy of “We Are the World” lies not just in its financial success or its widespread popularity, but in its enduring message of hope, the power of collaboration, and the profound impact that art can have in addressing global challenges. It reminds us that when we unite, setting aside personal differences for a greater good, we can make a significant impact in the world. #WeAreTheWorld
Mindanao is not Afghanistan
There goes the unfair tagging again. Quite too often Mindanao is conveniently being made as benchmark for conflict, fear and danger by those who obviously have poor understanding of the island.
In a recent PDI story “P200,000 a month for a driver? Only in Afghanistan” which came out on 01/06/2011 page A4, a certain Carlo Echano of the so called Filipinos in Afghanistan (FIA) organization wanted the government to lift the ban on deployment of OFWs in Afghanistan, citing it’s much safer to be in the said country than “being in any of the slum areas in Manila or being in Mindanao.”
Mr. Echano’s juxtaposition of Afghanistan to stress that it’s safer than Mindanao is downright absurd and smacks of gross insensitivity to the people of Mindanao, majority of whom are no way nearer to the supposed danger Mr. Echano had wittingly or unwittingly implied.
The cause of OFWs in calling for concrete government action on the plight of Filipinos working abroad, particularly in widely recognized war-torn countries such as Afghanistan and Iraq is an endeavor worthy of support. But in a tactless effort to project his message, Mr. Echano’s statement in reference to Mindanao is grossly unfair and bereft of sense and compassion.
Passing Thoughts 